The Connect Series from Wharfedale Pro are high quality micro-mixers that are suitable for a wide range of applications.

Professional big mixer features such as Phantom powered, balanced XLR microphone inputs give you full functionality and great sound in an ultra compact and cost effective package that is ideal for live sound, home studio recording and fixed installations. The Microphone pre-amplifiers use the same high quality components and construction methods that are employed in the recently released SL Series Mixers.

The Connect 502 features an intuitive, ergonomically designed user interface that is excellent for beginners and professionals alike. Comprehensive connectivity ensures that a Connect 502 will fit into any situation you need.

The Connect Series from Wharfedale Pro are high quality micro-mixers that are suitable for a wide range of applications.

Professional big mixer features such as Phantom powered, balanced XLR microphone inputs give you full functionality and great sound in an ultra compact and cost effective package that is ideal for live sound, home studio recording and fixed installations. The Microphone pre-amplifiers use the same high quality components and construction methods that are employed in the recently released SL Series Mixers.

The Connect 802 features an intuitive, ergonomically designed user interface that is excellent for beginners and professionals alike. Comprehensive connectivity ensures that a Connect 802 will fit into any situation you need.

The most innovative feature of the EQ-215 equalizer is the amazing accuracy of the filter networks. There is practically no center point drift regardless of the adjacent filter settings. Constant Q circuitry ensures consistent filter bandwidth.

The EQ-215 allows you to equalize with a new level of precision and may be the most transparent and accurate equalizer available. The EQ-215 Equalizer can be used in a variety of setups including: mixing consoles, fixed installation, in the effects loop of an amplifier, and in the tape loop of a home receiver. Self contained in an all steel two high 19 rack mount case, this equalizer is designed for continuous professional use.

The EQ-31 allows you to equalize with a new level of precision and may be the most transparent and accurate equalizer available. The EQ-31 Equalizer can be used in a variety of setups including: mixing consoles, fixed installation, in the effects loop of an amplifier, and in the tape loop of a home receiver. Self contained in an all steel two high 19 rack mount case, this equalizer is designed for continuous professional use.

The EZ-m 10x2 is an ultra compact mixing console and is suitable for a wide range of applications.

A mono channel has an XLR and balanced/unbalanced TRS input with individual gain control and a clip LED. The mono channel offers 2 band EQ, pan and a rotary level control.

2 stereo channels are available using balanced/unbalanced TRS inputs with a balance control and a rotary level control.

The master section includes main outputs with balanced TRS connectors and a 2-track input/output section with ⅛” mini-jack and RCA connectors. The headphone output has both ¼” TRS and ⅛” mini-jack connectors for compatibility with all headphones without the need for adapters. The master level and headphone output have rotary level controls, a stereo 4 stage LED meter enables you to ensure correct gain structure is applied.

The feature set and compact dimensions suit the EZ-m 10x2 to fixed installations, live sound and home studio applications. An EZ-m Series mixer is ideal for use as a main-mixer or sub-mixer.

The EZ-m 16x2 is an ultra compact mixing console and is suitable for a wide range of applications.

The 2 mono channels have XLR and balanced/unbalanced TRS inputs with individual gain controls and a clip LED. Each channel offers 2 band EQ, pan and a rotary level control.

4 stereo channels are available using balanced/unbalanced TRS inputs with a balance control and a rotary level control.

The master section includes main outputs with balanced TRS connectors and a 2-track input/output section with ⅛” mini-jack and RCA connectors. The headphone output has both ¼” TRS and ⅛” mini-jack connectors for compatibility with all headphones without the need for adapters. The master level and headphone output have rotary level controls, a stereo 4 stage LED meter enables you to ensure correct gain structure is applied.

The feature set and compact dimensions suit the EZ-m 16x2 to fixed installations, live sound and home studio applications. An EZ-m Series mixer is ideal for use as a main-mixer or sub-mixer.

The EZ-m 20x2FX is an ultra compact mixing console with inbuilt FX processing and is suitable for a wide range of applications.

The 4 mono channels have XLR and balanced/unbalanced TRS inputs with individual gain controls and a clip LED. Each channel offers 3 band EQ, pan, FX send and a rotary level control.

4 stereo channels are available using balanced/unbalanced TRS inputs with an FX send, balance control and a rotary level control.

The master section includes main outputs with balanced TRS connectors and a 2-track input/output section with ⅛” mini-jack and RCA connectors. The headphone output has both ¼” TRS and ⅛” mini-jack connectors for compatibility with all headphones without the need for adapters. The master level and headphone output have rotary level controls, a stereo 4 stage LED meter enables you to ensure correct gain structure is applied.

The FX processor has 15 preset digital effects including delay, reverb, chorus and flange selectable with a rotary encoder.

The feature set and compact dimensions suit the EZ-m 20x2FX to fixed installations, live sound and home studio applications. An EZ-m Series mixer is ideal for use as a main-mixer or sub-mixer.

Wharfedale Pro introduced a range of audio processor modules into its extensive professional audio range. Choosing from a range of equalizers, compressors and effects device for portable use or fixed installation, Wharfedale Pro processors offer high performance, solid build quality and great value.

The PM600 powered mixer systems have been designed to deliver optimum sound in a variety of applications - from live music performance and playback, to sound reinforcement or public address. Not only that, but they are road tough and simple to transport and set up.

The PM600 system incorporates of the following items:

• A PM600 powered mixer
• Two PT12 two-way 12" loudspeakers
• A DM1.0 mic (with cabling)

An integral part of the system is the PT10 loudspeakers. These are high-output, high efficiency loudspeakers, featuring Wharfedale Pro proprietary 10" drive units and a purpose-built high quality Electro-Dynamic HF driver (with overload protection). Also facilitating life on the road, the PM mixer section is protected by a tough carpet-covered surround.

The PM600 mixer features six mono input channels, with separate Mic and Line input. Other features include Tape In; Digital Delay; Record Out; EFX Send/Return; Power On/Off on front; Parallel speaker outputs (and main line output) on rear; Built-in 230W amp; Three-band EQ i; Thermal protection; XLR plus 1/4in input socket.

The DM1.0 microphone displays a tight cardioid pattern to minimise feedback problems and effectively reject signals not originating directly in front of the mic capsule. The mic also features an extended frequency range response for optimum reproduction and clear sound, while special shock-mounting allows movement of the mic element to greatly reduce handling noise.

The PM500 and PM600 powered mixer systems have been designed to deliver optimum sound in a variety of applications - from live music performance and playback, to sound reinforcement or public address. Not only that, but they are road tough and simple to transport and set up.

The PM500 System comprises of the following items:

• A PM500 powered mixer
• Two PT10 two-way 10" loudspeakers
• A DM1.0 dynamic mic (with cabling)

An integral part of the system is the PT12 loudspeakers. These are high-output, high efficiency loudspeakers, featuring Wharfedale Pro proprietary 12" drive units and a purpose-built high quality Electro-Dynamic HF driver (with overload protection). Also facilitating life on the road, the PM mixer section is protected by a tough carpet-covered surround.

The PM500 mixer features five mono input channels, with separate Mic and Line input. Other features include Tape In; Digital Delay; Record Out; Power On/Off on front; Parallel speaker outputs (and main line output) on rear; Built-in 120W power amp; Two-band EQ; Thermal protection; XLR plus 1/4in input socket.

The DM1.0 microphone displays a tight cardioid pattern to minimise feedback problems and effectively reject signals not originating directly in front of the mic capsule. The mic also features an extended frequency range response for optimum rep…

The PM500 mixer features five mono input channels for applications requiring more than five source inputs. The LF control frequency has been carefully selected on the PM500, allowing vocals or instruments to be finely tuned without losing their natural balance. The HF control is similarly designed to cut out unwanted harshness or excessive mid high range interference.

The Benefits of a PM500 Mixer!

• One unit to balance and combine all instrument and microphone source inputs
• Quick and easy to set up
• Portable, light and easy to carry
• TAPE IN sockets allow cassette recorders or CD players to be added to the Main Output
• Digital Delay section allows adjustment of interval time, repeat rate and volume of the delays
• Designed with generous headroom to ensure excellent sonic quality is delivered continuously at both high and low frequencies

The PM500 mixer features five mono input channels for applications requiring more than five source inputs.

Applications:

The PM series powered mixers can be used in a variety of applications.

• Portable live sound applications
• Sound reinforcement
• Public address

The PM600 powered mixer systems have been designed to deliver optimum sound in a variety of applications - from live music performance and playback, to sound reinforcement or public address. Not only that, but they are road tough and simple to transport and set up.

The PM600 system incorporates of the following items:

• A PM600 powered mixer
• Two PT12 two-way 12" loudspeakers
• A DM1.0 mic (with cabling)

An integral part of the system is the PT10 loudspeakers. These are high-output, high efficiency loudspeakers, featuring Wharfedale Pro proprietary 10" drive units and a purpose-built high quality Electro-Dynamic HF driver (with overload protection). Also facilitating life on the road, the PM mixer section is protected by a tough carpet-covered surround.

The PM600 mixer features six mono input channels, with separate Mic and Line input. Other features include Tape In; Digital Delay; Record Out; EFX Send/Return; Power On/Off on front; Parallel speaker outputs (and main line output) on rear; Built-in 230W amp; Three-band EQ i; Thermal protection; XLR plus 1/4in input socket.

The DM1.0 microphone displays a tight cardioid pattern to minimise feedback problems and effectively reject signals not originating directly in front of the mic capsule. The mic also features an extended frequency range response for optimum reproduction and clear sound, while special shock-mounting allows movement of the mic element to greatly reduce handling noise.

Applications:

The PM series powered mixers can be used in a variety of applications.

• Portable live sound applications
• Sound reinforcement
• Public address

The PM700 is a compact, powered mixer from Wharfedale Professional and can be used in a variety of application, sound reinforcement or public address. The PM700 mixer is designed to withstand the rigours of life on the road by being house in a tough wooden, carpet covered surround.

The PM700 offers an extra input channel making seven in total plus a seven band graphic equaliser for flexible sound shaping and feedback control. This powered mixer is designed for great value, great sound. It's simple to transport and easy to set up, and is round tough sound systems for the most discerning of professional users!

The Benefits of a PM700 Mixer!

• One unit to balance and combine all instrument and microphone source inputs
• Quick and easy to setup
• Portable, light and easy to carry
• TAPE in sockets allow media players to be adds to the main output
• Digital Delay section allows adjustment of interval time, repeat rate and volume of the delays
• Designed with generous headroom to ensure the excellent sonic quality is delivered at both high and low frequencies
• LED Meter (6) for easy indication of output levels
• Dual DSP chip allows two effects to be used (e.g reverb and delay) at the same time on the same mic channel
• 8 preset digital effects allow you to add multiple extras to your sound

The PMX 500 from Wharfedale Pro is a class-leading lightweight, compact and portable powered mixer.

Designed to be a perfect balance of portability and power the PMX 500 is suitable for use in a wide range of portable sound applications. Everything you need to mix and amplify microphones and line level sources is included in one box, with an ergonomic carry handle to aid transportation. The one box concept speeds up your setup time and allows you to start your performance quicker than ever before.

The PMX 500 features built in digital FX processing, expanding your creativity and improving your sound quality without the need for additional expensive and often cumbersome processors. A graphic EQ allows fine tuning of the overall mix.

4 Phantom powered XLR microphone inputs allow you to connect any type of microphone, line level inputs are available with both ¼” jacks and RCA connectors. The main outputs use Speakon™/¼” jack Combi connections for maximum reliability and versatility.

The Wharfedale Pro PMX 500 System provides you with everything you need to get up and running for a public performance.
A PMX 500 System package comprises of a PMX 500 powered mixer, a pair of PTX-8 2-way loudspeakers, a DM1.0 dynamic microphone and the necessary cables to connect the system.
Setting up a PMX System has been designed to be simple even for absolute beginners. All elements of the PMX system use high quality industry standard connectivity to ensure that it can stay useful as your equipment is incrementally upgraded.

The PMX 700 from Wharfedale Pro is a class-leading lightweight, compact and portable powered mixer.

Designed to be a perfect balance of portability and power the PMX 700 is suitable for use in a wide range of portable sound applications. Everything you need to mix and amplify microphones and line level sources is included in one box, with an ergonomic carry handle to aid transportation. The one box concept speeds up your setup time and allows you to start your performance quicker than ever before.

The PMX 700 features built in digital FX processing, expanding your creativity and improving your sound quality without the need for additional expensive and often cumbersome processors. A graphic EQ allows fine tuning of the overall mix; the PMX 7)0 has a flexible routing system that allows you to EQ your front of house and monitor speakers in mono or your front of house in stereo.

6 Phantom powered XLR microphone inputs allow you to connect any type of microphone, line level inputs are available with both ¼” jacks and RCA connectors. The PMX710 includes pan/balance controls for all channels. The main outputs use Speakon™/¼” jack Combi connections for maximum reliability and versatility.

The Wharfedale Pro PMX System provides you with everything you need to get up and running for a public performance.
A PMX 700 System package comprises of a PMX 700 powered mixer, a pair of PTX-12 2-way loudspeakers, a DM1.0 dynamic microphone and the necessary cables to connect the system.
Setting up a PMX System has been designed to be simple even for absolute beginners. All elements of the PMX system use high quality industry standard connectivity to ensure that it can stay useful as your equipment is incrementally upgraded.

The PMX 710 from Wharfedale Pro is a class-leading lightweight, compact and portable powered mixer.

Designed to be a perfect balance of portability and power the PMX 710 is suitable for use in a wide range of portable sound applications. Everything you need to mix and amplify microphones and line level sources is included in one box, with an ergonomic carry handle to aid transportation. The one box concept speeds up your setup time and allows you to start your performance quicker than ever before.

The PMX 710 features built in digital FX processing, expanding your creativity and improving your sound quality without the need for additional expensive and often cumbersome processors. A graphic EQ allows fine tuning of the overall mix; the PMX 710 has a flexible routing system that allows you to EQ your front of house and monitor speakers in mono or your front of house in stereo.

6 Phantom powered XLR microphone inputs allow you to connect any type of microphone, line level inputs are available with both ¼” jacks and RCA connectors. The PMX710 includes a full-duplex USB playback/record interface and pan/balance controls. The main outputs use Speakon™/¼” jack Combi connections for maximum reliability and versatility.

The Q-130 is a single channel 30 band 1/3 octave graphic equalizer using constant Q filters to maintain even bandwidth irrespective of gain ensuring transparent adjustments even with extreme gain settings.

Professional long throw slide faders with a fader range switchable from 6dB to 12dB allow for precise adjustments allowing you to get the best possible sound from your rig in the situation you are faced with. A sweepable 40Hz to 100Hz 12dB/octave HPF allows accurate removal of unwanted low end rumble that can in turn increase overall system headroom. The Q-130 is housed in a 2U 19” rackmount chassis and has inputs and outputs on XLR and 1/4” TRS balanced / unbalanced connectors. A ground lift switch can eliminate earth loop or hum issues. Power is supplied via an IEC connector.

The Q-215 is a dual channel 15 band 2/3 octave graphic equalizer using constant Q filters to maintain even bandwidth irrespective of gain ensuring transparent adjustments even with extreme gain settings. The Q-215 fits into a convenient 1U 19" rackmount chassis and has inputs and outputs on XLR and 1/4" TRS balanced / unbalanced connectors. Ground lift switches can eliminate any earth loop or hum issues. Power is supplied via an IEC connector.

A switchable 40Hz HPF allows for removal of unwanted low end rumble that in turn increases overall system headroom.

The Q-230 is a dual channel 30 band 1/3 octave graphic equalizer using constant Q filters to maintain even bandwidth irrespective of gain ensuring transparent adjustments even with extreme gain settings.

A fader range switchable from 6dB to 12dB helps you to get the best possible sound from your rig in the situation you are faced with. A sweepable 40Hz to 100Hz 12dB/octave HPF allows accurate removal of unwanted low end rumble that can in turn increase overall system headroom. The Q-230 is housed in a 2U 19” rackmount chassis and and has inputs and outputs on XLR and 1/4” TRS balanced / unbalanced connectors. Ground lift switches can eliminate any earth loop or hum issues. Power is supplied via an IEC connector.

The R Series of mixers from Wharfedale Professional are designed to offer a superior quality audio performance in an easy to use, great value package. The quality of the R Series is such it can be used in a variety of professional application.

R1604

The R1604 features 4 low noise, high headroom low impedance mic inputs for use with balanced or low impedance microphones or external equipment with XLR connectors. It has four balanced/unbalanced high impedance mono line inputs for use with high level signals with phoe plug connectors. The Stereo Input channels on the R1604 features two balanced line level inputs with 1/4" jack sockets for left and right signals.

R1604 FX- R Series with Digital Effects

The R1604FX offers 4 mono, balanced mic/line input channels and four stereo input channels with 3 band equalization on each channel.

The R Series of mixers from Wharfedale Professional are designed to offer a superior quality audio performance in an easy to use, great value package. The quality of the R Series is such it can be used in a variety of professional application.

R200

The R200 features four low noise, high headroom Low Z mic inputs for use with balanced or low impedance microphones or low level external equipment with XLR connectors. The four balanced / unbalanced high impedance mono line inputs for use with high level signals with 1/4" phone plug connectors. The R200 stereo channel features two balanced line level inputs with 1/4" jacks for left and right signals.

The R Series of mixers from Wharfedale Professional are designed to offer a superior quality audio performance in an easy to use, great value package. The quality of the R Series is such it can be used in a variety of professional application.

R2004

The R2004 features 8 low noise, high headroom low impedance mic inputs for use with balanced or low impedance microphones or external equipment with XLR connectors. The R2004 has eight balanced/unbalanced high impedance mono line inputs for use with high level signals with phone plug connectors. The Stereo Input channels on the R2004 features two balanced line level inputs with 1/4" jack sockets for left and right signals.

R2004 FX- R Series with Digital Effects

The R2004FX offers 8 mono, balanced mic/line input channels with with 3 Band equalization and a semi- parametric mid range control plus 3 Band equalization on each of the four stereo input channels. The R2004FX also provides 8 TRS ¼" channel Insert jacks for the mono channels which allow the connection of external serial signal processing devices.

The SL 1224 mixer is a studio/live mixing console with built-in full duplex USB interfacing.

Designed to cater for a wide range of mid format mixing duties, the SL 1224 includes many features suited to both live sound and home studio applications.

A high quality class-compliant 2-input 2-output 16-bit/48kHz USB interface features on all models, with a flexible record bus and dedicated return channel that is great for live and home recording.

Studio grade microphone preamps are used throughout and have balanced XLR inputs, with all channels also offering balanced/unbalanced TRS line level connectivity. In addition all of the mono channels have a TRS insert point.

An ultra musical 3-band EQ is available on all channels, with an additional high pass filter on the mono channels. A built in FX processor with 16 presets gives you unlimited creative potential and is supplemented by a dedicated FX send and auxiliaries.

The SL 424 is a compact studio/live mixing console with built-in full duplex USB interfacing.

Designed to cater for a wide range of mid format mixing duties, the SL 424 includes many features suited to both live sound and home studio applications.

The studio quality class-compliant 2-input 2-output 16-bit/48kHz USB interface is great for live and home recording.

Studio grade microphone preamps are used throughout and have balanced XLR inputs, with all channels also offering balanced/unbalanced TRS line level connectivity.

An ultra musical 3-band EQ is available on all channels, with an additional high pass filter on the mono channels.

The SL 824 mixer is a studio/live mixing console with built-in full duplex USB interfacing.

Designed to cater for a wide range of mid format mixing duties, the SL 824 includes many features suited to both live sound and home studio applications.

A high quality class-compliant 2-input 2-output 16-bit/48kHz USB interface features on all models, with a flexible record bus and dedicated return channel that is great for live and home recording.

Studio grade microphone preamps are used throughout and have balanced XLR inputs, with all channels also offering balanced/unbalanced TRS line level connectivity. In addition all of the mono channels have a TRS insert point.

An ultra musical 3-band EQ is available on all channels, with an additional high pass filter on the mono channels. A built in FX processor with 16 presets gives you unlimited creative potential and is supplemented by a dedicated FX send and auxiliaries.

7 Mic/ 3 Stereo Inputs, 300 Watts/channel

Wharfedale Pro's new SPX613 Powered Mixer provides you with everything you need in a compact, powered mixer. Designed for ease of use and quality audio performance, the SPX613 offers many traditional features found in powered mixers along with some additional unique features that will enhance the technical capabilities of your performances.

Featuring high-headroom / low noise preamps, switchable global phantom power, built-in signal limiting circuits, along with options for direct connections of low output instruments, the versatile input channels of the SPX613 mixer is ready to meet the challenges of your performance applications.

7 mono, balanced/unbalanced mic inputs

The SPX613 has 7 mono, balanced/unbalanced mic inputs. The last two mono Mic channels on this model offer a "Super Hi-Z" input for the connection of low level instruments. The rest of the mono channels provide additional balanced, line level inputs. Two additional stereo input channels provide the flexibility of dual RCA, and dual ¼" balanced analog input jacks. To top that off, a third stereo input channel with dual ¼" balanced analog inputs also provides a unique, and handy USB port for connection of your laptop computer for stereo playback and recording of digital audio to and from the SPX613 Powered Mixer!

Channel level control and pan

Each mono channel on the SPX613 Powered Mixer offers a channel level control and pan along with variable input TRIM control for detailed input level setting, three band shelving equalization controls, and two separate auxiliary mix controls for stage monitors (MON) and internal or external parallel effects (EFX) processing. Stereo channels each offer channel level and pan, TRIM, two band equalization and summed monitor (MON) and effects (EFX) auxiliary mix controls.

Versatile master section

The versatile master section provides sophisticated control of the overall mixing parameters. These powered mixers offer the capability of being used as a stereo sound reinforcement system, or they can be configured to work as a mono-main and mono-monitor system, making use of the two independent power amplifiers housed within each unit.

Nine band graphic equalizers

Nine band graphic equalizers allow for the flexibility of detailed tonal control of the overall output of each amplifier. When in stereo mode, one graphic "EQ" controls the left output while the other controls the right output. When in mono-main/monitor mode, one EQ controls the mono main speaker output while the other EQ provides for the tonal characteristics of the stage monitor mix, allowing for detailed tonal and feedback control (+/- 12 decibels) within nine different frequency bands.

Effects Processing Signals

Along with a convenient "MONITOR MASTER" level control the SPX613 offers …

9 Mic/ 3 Stereo Inputs, 400 Watts/channel

Wharfedale Pro's new SPX815 Powered Mixer provides you with everything you need in a compact, powered mixer. Designed for ease of use and quality audio performance, the SPX815 offers many traditional features found in powered mixers along with some additional unique features that will enhance the technical capabilities of your performances.Featuring high-headroom / low noise preamps, switchable global phantom power, built-in signal limiting circuits, along with options for direct connections of low output instruments, the versatile input channels of the SPX815 mixer is ready to meet the challenges of your performance applications.

9 mono, balanced/unbalanced mic inputs

The SPX815 has 9 mono, balanced/unbalanced mic inputs. The last two mono Mic channels on this model offer a "Super Hi-Z" input for the connection of low level instruments. The rest of the mono channels provide additional balanced, line level inputs. Two additional stereo input channels provide the flexibility of dual RCA, and dual ¼" balanced analog input jacks. To top that off, a third stereo input channel with dual ¼" balanced analog inputs also provides a unique, and handy USB port for connection of your laptop computer for stereo playback and recording of digital audio to and from the SPX815 Powered Mixer!

Channel level control and pan

Each mono channel on the SPX815 Powered Mixer offers a channel level control and pan along with variable input TRIM control for detailed input level setting, three band shelving equalization controls, and two separate auxiliary mix controls for stage monitors (MON) and internal or external parallel effects (EFX) processing. Stereo channels each offer channel level and pan, TRIM, two band equalization and summed monitor (MON) and effects (EFX) auxiliary mix controls.

Versatile master section

The versatile master section provides sophisticated control of the overall mixing parameters. These powered mixers offer the capability of being used as a stereo sound reinforcement system, or they can be configured to work as a mono-main and mono-monitor system, making use of the two independent power amplifiers housed within each unit.

Nine band graphic equalizers

Nine band graphic equalizers allow for the flexibility of detailed tonal control of the overall output of each amplifier. When in stereo mode, one graphic "EQ" controls the left output while the other controls the right output. When in mono-main/monitor mode, one EQ controls the mono main speaker output while the other EQ provides for the tonal characteristics of the stage monitor mix, allowing for detailed tonal and feedback control (+/- 12 decibels) within nine different frequency bands.

Effects Processing Signals

Along with a convenient "MONITOR MASTER" level control the SPX613 offers a benefi…

WPG-202 Two channel electronic crossover

The WPG-202 fits standard 1U, 19" (482mm) racks. Using proven circuitry this equalizer is straightforward to use, reliable in operation and capable of excellent performance. The WPG-202 is housed in steel cases suitable for mounting in professional flight cases.

WPG - 315 Two channel Graphic equalizer

The WPG-315 fits standard 1U, 19" (482mm) racks. Using proven circuitry this equalizer is straightforward to use, reliable in operation and capable of excellent performance. The WPG-315 is housed in steel cases suitable for mounting in professional flight cases. WPG315 has the same features as WPG-331, except 15 equalisation bands per channel and without high-pass filter.

WPG - 331 Single channel Graphic equalizer

The WPG-331 fits standard 1U, 19" (482mm) racks. Using proven circuitry this equalizer is straightforward to use, reliable in operation and capable of excellent performance. The WPG-331 is housed in steel cases suitable for mounting in professional flight cases.

WPG - 335 Dual channel Graphic equalizer

The WPG-335 fits 2U, 38" (964mm) racks. Using proven circuitry this equalizer is straightforward to use, reliable in operation and capable of excellent performance. The WPG-335 is housed in steel cases suitable for mounting in professional flight cases with 31 equalisation bands per channel.

The WPR-26 is a sophisticated, remote controlled speaker switching system for in store demonstration and similar applications such as studio recording and paging systems.

Stereo/2 channel amplifiers can be remotely routed to up to 6 pairs of loudspeakers under high power operation for comparison purposes in a sales demonstration. The high power handling (3000 watts plus) relays in the WPR-26 allow simple set up and operation without the complex routing of signal cables.

A front panel display indicates channel selection and selector buttons allowing direct selection of channels, whilst the remote control provides simple and convenient selection by the customer or demonstrator.

In many demonstration environments (show rooms) the electronics rack may often be away from the convenient line of sight in the demo area, making it hard to change speaker selection. To make the WPR-26 simple and easy to use, Wharfedale Pro supplies (as standard) a wireless IR receiver module WPR-26 IR with a 6m-20" cable. The WPR-26 IR module also has a wider acceptance angle and may be useful in situations even where the main unit is ideally positioned.

Applications:

The WPR-26 is a sophisticated, remote controlled speaker switching system for in store demonstration and similar applications such as studio recording and paging systems, test/repair facilties.

The XO-204 is a 2 way stereo analogue active crossover that allows for the most simple and safe setup of a bi-amplified system.

The crossover frequency is sweepable from 60Hz to 1KHz providing an ideal frequency split suitable for feeding subs and full range units with discrete bandwidths right out of the box. If you wish to use the XO-204 to split the programme material in a manner that is suitable to feed the mid and high drivers in a bi-amp compatible full range unit the X10 switch conveniently raises the crossover frequency to allow for this.

Emphasis has been placed on the safety of your rig with a switchable 40Hz 12dB/octave HPF to increase headroom and independent switchable soft limiting on each of the bands to protect your amp and speakers.

To help fine tune the setup of your system there are mute switches for each of the bands and also independent polarity switching.

The XO-204 active crossover has independent output level control ranging from -infinity to +6dB, to assist you there are LED output meters and a simple input clip LED.

All inputs and outputs are on balanced TRS jacks and there is the inclusion of a mono summed LF output for using a mono subwoofer in a stereo situation. The XO-204 comes in a 1U 19” rackmount chassis and accepts mains power via an IEC connector.

The XO-206 is a 3 way stereo analogue active crossover that allows for the most simple and safe setup of a tri-amplified system.

The low/mid crossover frequency is sweepable from 60Hz to 1KHz providing an ideal frequency split between your subs and mid drivers and the mid/high crossover point is sweepable from 1KHz to 9KHz giving you enough range to effectively send an appropriate bandwidth to your mids and tweeters.

Emphasis has been placed on the safety of your rig with a switchable 40Hz 12dB/octave HPF to increase headroom and independent switchable soft limiting on each of the bands to protect your amp and speakers.

To help fine tune the setup of your system there are mute switches for each of the bands and also independent polarity switching.

The XO-206 active crossover has independent output level control ranging from -infinity to +6dB, to assist you there are LED output meters and a simple input clip LED.

All inputs and outputs are on balanced TRS jacks and there is the inclusion of a mono summed LF output for using a mono subwoofer in a stereo situation. The XO-206 comes in a 1U 19” rackmount chassis and accepts mains power via an IEC connector.