Industrial Data Communications 4th Edition

Chapter 7 - Wide Area Networks: Modulation Process

Modulation is the process whereby a "carrier's" characteristic is modified to contain the information
that is to be transmitted. The sine wave has three characteristics that may be modified:

 (1) amplitude,
(2) phase,
(3) frequency.
 

There are many ways to impress intelligence on a waveform. Actually, even the lack of any
change is "information." The first "modulation" schemes were merely turning the carrier
"on" and "off." The on and off states are comparable to the dots and dashes of the Morse
code scheme. It is important that you not confuse "coding" and "modulation." Modulation
is the altering of a carrier's characteristics, while coding is a scheme for the information
itself. Over time, the on-off modulation of a carrier evolved into another form of modulation
called "frequency shift keying," which is a form of amplitude modulation (not
frequency modulation). In frequency shift keying, two tones are employed: one for a "1"
and one for a "0." An example would be the HART protocol, which uses 1,200 Hz for a 1
and 2,200 Hz for a zero.

Amplitude modulation and frequency modulation, known as AM and FM, respectively, are
familiar to most people through their radios and home stereo system receivers. AM is generally
thought of as rather noisy and limited in frequency response but able to be
transmitted over great distances. FM is considered quiet and capable of providing good frequency
response, but unable to travel well, even from one city to another. These
generalizations, while accurate, have less to do with the modulation than with the frequency
range in which the two different modulations exist.

Probably less familiar is the nature of the TV signal. An American broadcast television signal
has a 6 MHz baseband whose range covers 0 to 6 MHz. The sound is a subcarrier of 4.5
MHz, which is frequency modulated. The color information is quadrature modulated (independent
sideband AM-ISBAM) with a 3.58 MHz reference carrier. This entire signal (sound
plus color) is impressed upon the video carrier by vestigial sideband amplitude modulation
(VSBAM). Today, even more features are put into the baseband signal, such as text and
stereo sound. The modern TV (along with the VCR) is quite probably one of the most technically
sophisticated devices in the average household, and we haven't even approached
High Definition TV (HDTV) which is another layer of complexity. All of the broadcast modulation
techniques just mentioned have been used to transmit data at one time or another.

Another reason for the use of modulation techniques involves the resistive losses in a long
wireline. A DC voltage traveling through the line resistance will dissipate energy in the form
of heat. Although the input voltage may be raised to compensate at the output, the higher
voltage causes even greater energy loss. Alternating current can use transformers to match
impedances and to select the correct voltage/amperage ratio for transmission. Amplifying
an AC signal is easier than is a DC signal, so smaller amounts of transmitted power are
required. Very seldom is a DC signal transmitted long distances over a wireline.

Before it's modulated or encoded a digital data signal has a maximum frequency (alternating
ones and zeros) that is one half the bit-per-second (bps) rate and a minimum
frequency that is zero when transmitting steady ones or zeros, which at 0 Hz is a direct
current (DC). DC is not coupled across a transformer (no lines of flux being changed), and a
voice-grade wireline has at least two transformers, one at each end. It should be obvious
that we will have to change the DC component of our data signal if we want to transmit
this signal at a fast data rate any distance at all (usually more than 100 meters) over a
voice-grade wireline.

 

 

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