Raman Spectroscopy in Archaeology and Art History

Section III: Artefacts

Chapter List

Chapter 11: Overview Raman Spectroscopy of Artefacts
Chapter 12: Case Study Raman Spectroscopy a Powerful Tool for the Analysis of Museum Objects
Chapter 13: Case Study Glasses, Glazes and Ceramics Recognition of Ancient Technology from the Raman Spectra
Chapter 14: Case Study Fifteen Years of Artefact Investigations by Raman Spectroscopy at the CNRS Laboratoire de Dynamique, Interactions et R activit
Chapter 15: Phase Analysis of Third Millennium Syrian Ceramics by Micro-Raman Spectroscopy
P. Vandenabeele,
Ghent University, Laboratory of Analytical Chemistry,
Ghent, Belgium
H.G.M. Edwards,
University of Bradford, Chemical and Forensic Sciences,
West Yorkshire, UK

11.1 Introduction

The ability of Raman spectroscopy to analyse micrometer-sized particles without any need for sample preparation is advantageous for its application to art and archaeology. Moreover, access to robust and compact spectrometers, often equipped with fibre optic probes, opens up the possibilities for in situ measurements using Raman spectroscopy. In parallel with the evolution of instrumentation, the technique has become increasingly important in the investigation of artefacts, and artistic and archaeological materials.

Raman spectroscopy has several features in its favour, which make the technique extremely suitable for studying artefacts of relevance to art and archaeology. Because of its non-destructive character, the technique may be used for the direct investigation of art objects. The use of microscope optics allows the investigation of micro-samples, for instance, in order to study a layered composition. If sampling is not allowed, by using fibre optic probes the method may be applied for the direct analysis of large artefacts. Being a molecular spectroscopic technique, Raman...

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