Composing Music with Computers

Chapter 5: Neural Computation and Music

5.1 Thinking music aloud

From a number of plausible definitions for music, the one that frequently stands out in the computer music arena is the notion that music is an intellectual activity, whose prominent tasks involve the abilities to recognise auditory patterns and to imagine them modified by actions. These abilities require sophisticated memory mechanisms, involving both conscious manipulations of concepts and subconscious access to millions of networked neurological bonds. In this case, it is true to say that emotional reactions to music arise from some form of intellectual activity.

Different parts of our brain do different things in response to sonic stimuli. Moreover, music is not detected by our ears alone; for example, music is also sensed through the skin of our entire body (Storr 1993) (Despins 1996). The response of our brain to external stimuli, including sound, can be measured by the activity of the neurones. The electrochemical behaviour of masses of neurones acting in small to very large groups in the brain produces a complex, multidimensional, pulsating electromagnetic field. Two methods are commonly used to measure this: PET (positron emission tomography) and EEG (electroencephalogram). Whilst PET measures the brain's activity by scanning the flow of radioactive material previously injected into the subject's bloodstream, EEG uses tiny electrodes (small metallic discs) pasted onto the surface of the skull by means of electricity conducting gel. As the signals captured by the electrodes are in the order of just a few micro volts, an amplifier is used to increase their...

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