The Master Handbook of Acoustics, Fourth Edition

Chapter 16: Sound Reflections in Enclosed Spaces

The perceptual effect of sound reflections depends on the size of the room. The situation in a recording studio, control room, or listening room is quite different from that in a music hall or large auditorium. The case of sound reflections in small rooms is considered first in this discussion.

Law of the First Wavefront

Imagine two people in a small room as illustrated in Fig. 16-1. The first sound of the person speaking to reach the listener is that traveling a direct path because it travels the shortest distance. This direct sound, which arrives first at the ears of the listener, establishes the perception of the direction from which the sound came. Even though it is immediately inundated by a stream of reflections from the various surfaces of the room, this directional perception persists, tending to lock out the effects of all later reflections insofar as direction is concerned. Cremer has called this the law of the first wavefront. This fixation of the direction to the source of sound is accomplished within a small fraction of a millisecond and, as already mentioned, is unaffected by the avalanche of reflections following the arrival of the direct sound.


Figure 16.1: Of the many reflections of sound in a small room, the direct wave arrives first and establishes the receiver's sense of the direction of arrival of the sound. Later reflections do not affect this directional perception.

Mean Free Path

The average (mean) distance sound travels between successive reflections is...

UNLIMITED FREE
ACCESS
TO THE WORLD'S BEST IDEAS

SUBMIT
Already a GlobalSpec user? Log in.

This is embarrasing...

An error occurred while processing the form. Please try again in a few minutes.

Customize Your GlobalSpec Experience

Category: LiDAR Sensors
Finish!
Privacy Policy

This is embarrasing...

An error occurred while processing the form. Please try again in a few minutes.