Apple Aperture 2: A Workflow Guide for Digital Photographers

As we have already explained. Aperture really gives your photos the opportunity to breathe. On a suitably equipped Mac, it is perfectly happy working across two monitors, devoting one to the organizational workspace, and the other to a Full-Screen view of your photos so thatyou can edit them with the best possible view.
However, even on a single-screen Mac, or a portable such as a MacBook, you can do much to maximize your working space while keeping every tool handy, thanks to its extensive use of Head up displays - or, in Apple parlance, HUDs.
These are floating, semi-opaque Versions of the key panels, allowing you to bring them into and out of view when required, and still see your work through them. They take their name from the displays projected onto cockpit windshields in fighter aircraft.
They are common across many Apple applications, and even break out of the professional application line-up; HUDs are also found in Pages, its consumer word processor, and iPhoto.
Some panels always work as HUDs, regardless of your view mode, while others appear in this form only when you're working in Full Screen. The keywords HUD
, for example, only ever appears as a floating panel, whatever your screen mode, because it duplicates features already found on the interface proper. By appearing in the applications in two incarnations, it is more accessible and can be shown even when the main keywords interface is closed or inaccessible. It presents a list of...