Fiber Optic Reference Guide: A Practical Guide to Communications Technology, Third Edition

Chapter 12: Video Over Fiber

Video signals are complicated. A close inspection of a television screen reveals that the picture is comprised of many horizontal lines drawn one after another. The video signal contains the information to draw these lines, detailing whether parts of the line should be dark or light and how to display the colors. Sound is also encoded in the signal.

METHODS OF ENCODING VIDEO SIGNALS

There are three predominant methods of encoding a video signal: amplitude modulation (AM), frequency modulation (FM) and digital modulation. (See Table 12.1.)

Table 12.1: Comparison of AM, FM and Digital Encoding Techniques

Parameter

AM

FM

Digital

Signal-to-Noise Ratio

Low-Moderate

Moderate-High

High

Performance vs. Attenuation

Sensitive

Tolerant

Invariant

Transmitter Cost

Moderate-High

Moderate

High

Receiver Cost

Moderate

Moderate-High

High

Receiver Gain Adjustment

Often Req.

Not Req.

Not Req.

Installation

Adjustments Req.

No Adjustments Req.

No Adjustments Req.

Multichannel Capability

Good Capability Req.
High Linearity Optics

Fewer Channels

Good

Performance Over Time

Moderate

Excellent

Excellent

Environmental Factors

Moderate

Excellent

Excellent

The difference between various modulation schemes can be understood by examining their corresponding frequency spectra. The very simple baseband AM occupies the region from DC to about 5 MHz and requires the least bandwidth (assuming we are talking about uncompressed digital encoding techniques). The RF carrier modulation spectrum is similar; it has been shifted to a non-zero frequency (F). This approach requires additional bandwidth and offers no advantage over baseband operation in a system where a single channel is carried on each fiber. However, it allows multiple channels to...

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